陈 采 鋆 Caiyun Chen ( yunyun )
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Essay
生态主义诗歌实验剧场: 去人类中心主义的剧场实践与解放性表达

Structure Film and Moving Dust in Post-Iconography: Hyperimage and Hypersound Critical Overview Report in Art Practice, GSA Stage 3

Drifting through the Artificial Fortress Besieged, Essay and Critical Reflection of Mapping the City

Research of Inter-image in Art, Practice: Structured Collage Critical Overview Report in Practice, GSA Stage 2

Research of Power Exchange in Art Practice: Clothes & Class, Essay and Critical Evaluation, GSA Stage 1

评估变装文化和酷儿社群中的性别二元性, 陈采鋆




PoetryDead Bird, 2024.8, Caiyunchen, Scaned

死鸟 Dead Bird, 2024.8, Poetry, Caiyunchen

(Statement) 死鸟 Dead Bird, 2024.8, Poetry, Caiyunchen




PortfolioCaiyun Chen, Portfolio, 2023-2024

陈采鋆 Caiyun Chen – GSA Postgrad Showcase 2024

Caiyun Chen, Portfolio, 2021-2023

Biography 2021

Drag King-Calderone



Work
https://mp.weixin.qq.com/s/0F7pN0iZ3UbbWkWdp0td3A

活动回顾 | 在生活中追寻真实的声音

新书分享会 | 回到生活——邹波《在陈词滥调背后》邀请您共赴一场对话的盛宴



FragmentsCaiyun Chen, Project 4, Study Proposal, 2020
无题 2022(金属雕塑),陈采鋆,个人作品汇报
Mapping, Group E, Presentation 06.Mar 
20541033rws

女性主义与艺术 论文

哪来的野鸡- 品牌资料











感谢阅览 
Thanks for reading

作品仅用于个人应聘投稿及学术交流,若发现被用于其他途径造成损失将追究法律责任,敬请谅解。
The project is only used for personal application and academic communication. If it is found to be used in other ways to cause loss, we will pursue legal responsibility.





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