陈 采 鋆 Caiyun Chen ( yunyun )
RAWFISH｜Corroded Atlas 腐蚀物象谱 28.10 – 09.11.2025 E.SCAPE 艺术空间 上海市武康路40弄3号
艺术家自述
“今天是蓝调乐章：游荡的重影主宰像素，燃烧的余烬自那黑色幽暗的，那深深的屏幕朝圣。
“门开了”：他吐出一圈雪茄的烟雾。
或者说，描绘陶瓷表皮的版图，
或者又说，航行在意识的边缘。
切分音符敲打—窗和墙 / 拯救像素—拯救凝视
我目睹了另一个我和我自己的负位移……”
— 陈采鋆
Artist’s Statement
It’s Blue notes today: Ghosting images dominate pixels, the burning embers come from the dark dark deepest screen pilgrimaging.
‘Door’s opening’: he breathes out a swirl of cigarrillo smoke.
To say mapping the territory of ceramic skins,
or to say navigating the edge of consciousness.
Shuffle beats-Window wall, Saving the dots-Saving the gaze,
I saw another negative displacement of me and myself… …
— Caiyun Chen
RAWFISH｜Corroded Atlas 腐蚀物象谱 28.10 – 09.11.2025 E.SCAPE 艺术空间 上海市武康路40弄3号
当身份与记忆在流动中不断被重组;当迁徙与归属的边界模糊，对土地与文化根源的再思成为一种持续的回声。图像与文字里承载了关于个体与世界关系的追问，也承载了镜面倒影里关于身份、流动、归属、时间共同编织的波纹。
如液态般流动，如尘埃般弥散;碎片化的图像如同数字息肉，成为感知的有机体时间的断裂与漂浮的拼贴让影像转化为一片非和弦的余震场域:一种幻觉般的余波在流动中重写记忆、想象与时间。非线性的叙事成为主观意识的延伸，视觉停留在意识与模拟之间的地带。
色彩、水滴、倒影、金属片、残留铭文，每一个物体是图像，是文本，如同镌刻时间的考古表面。在精神与合成之间的视觉语言，在光与数据的流动中相互作用。透过这些物象的容器，我们窥见结构自身的波动与重塑。
作为一个双个展项目，艺术家此次带来的作品数量和类型也更加多样，涵盖了其近几年创作的不同阶段与媒介。 这更像是一场小型的个人作品回顾，通过视觉图像、影像、装置与诗歌等形式，串联起其在创作中持续探索的主题与思考脉络，呈现出一个更为完整、立体的艺术面貌。
When identity and memory are continuously reassembled in motion;when the boundaries between migration and belonging blur,the rethinking of land and cultural roots becomes a lingering echo.Within images and words lie inquiries into the relationship between the self and the worldand within their mirrored reflections, ripples woven from identity, fluidity, belonging, and time.
Flowing like liquid, dispersing like dust;fragmented images emerge like digital polyps, forming organic extensions of perception.Temporal ruptures and drifting collages transform the image into a field of aftershocka site of resonance where memory, imagination, and time are rewritten in motion.Nonlinear narration unfolds as an extension of subjective consciousness,and vision lingers in the threshold between awareness and simulation.
Color, droplets, reflections, metallic fragments, residual inscriptionseach object is both image and text, an archaeological surface engraved with time.A visual language oscillates between the spiritual and the synthetic,interacting within the currents of light and data.Through these vessels of imagery,we glimpse the oscillation and reformation of the structure itself.
As part of a dual exhibition project, the artist presents a greater diversity of works in both quantity and form, encompassing different stages and mediums from recent years. It resembles a small-scale retrospective, where visual imagery, video, installation, and poetry
EXHIBITION
EXHIBITION-SH-001Corroded Atlas
Corroded Atlas_Exhibition Guide
Corroded Atlas_Exhibition Guide_Digital Catalogue
Corroded Atlas_E.SCAPE_Exhibition Floor Plan - Caiyun Chen
Corroded Atlas_E.SCAPE_Exhibition Floor Plan - Caiyun Chen_for print
Corroded Atlas_E.SCAPE_Exhibition Floor Plan - Caiyun Chen_compressed
Related Links
https://www.xiaohongshu.com/discovery/item/68fb5e6200000000070300d9?source=webshare&xhsshare=pc_web&xsec_token=ABJ7ZDEKj__I7YoJEoTts0XkDBOipHEJQMRsQCc1h0n0g=&xsec_source=pc_share
EXHIBITION